New Yamaha grand piano

By Suzette Lombard
Principal Music Librarian

Unfortunately even well-made pianos don’t last forever, and in 2012 the SABC Music Library had to say goodbye to one of our collection of pianos, of which the frame had cracked. 

Fortunately we were able to acquire a brand new Yamaha C5 grand piano to replace it.

Yamaha is the world’s largest manufacturers of musical instruments, and has been making pianos since 1897. This piano is a great example of the dedication, vast knowledge, skill and hard work that go into making a modern day concert standard piano. Not only does it have to have a good sound and excellent mechanical action to please even the most demanding pianist, but it also has to look beautiful and be strong and rugged, in order to withstand the constant moving and handling.
A combination of traditional craftsmanship and advanced acoustical technology has made this possible. 

We are looking forward to this beauty’s first performance. 


Photos taken last week Wednesday at the arrival of the new piano.

The Music Librarian looking on

Suzette Lombard

(Photos by Karen du Toit)

Concert - Charl du Plessis Trio with Musa Sakupwanya

Suzette Lombard, Music Librarian
SABC Music Library

With everything in life the novelty eventually wears off. If you attend concerts or shows regularly, you find yourself attending a lot of events that are good and even exceptional, but still leave you fairly cold. But once in a while you might be fortunate enough to hear something that blows you away.

A case in point is the concert I attended last Sunday at the Linder Auditorium. The Johannesburg Musical Society presented a concert featuring the Charl du Plessis Trio with the vocalist Musa Sakupwanya. The all-Gershwin programme was beautifully planned and executed by four extremely talented and accomplished musicians.

To say that I loved it is an understatement. The trio played brilliantly, a wonderful blend of classically-trained polish and honest foot-stompin’ jazz. Charl with inimitable style performed a fiendish arrangement of Rhapsody in Blue in which he was the conductor, pianist and orchestra all rolled into one. Most numbers started with the piano, and with the bass and percussion joining in, one felt surrounded by a warm, luxurious blanket of pure sound. A sense of well-being and absolute enjoyment prevailed throughout.

Some gooseflesh-moments were had when Musa sang songs like S’Wonderful. Musa has the perfect jazz voice, all velvety smooth. But he also has the sense of timing and execution that a true artist needs to keep the audience spellbound, as he proved with Let’s Call the Whole Thing Off. Werner Spies on double bass and Hugo Radyn on drums were by no means left out of the limelight, their accompaniment and improvisations equally impressive.

The trio’s latest CD Shanghai Brunch has won a Ghoema Award and is nominated for a SAMA. When mentioning the CD, Charl spoke about the warmth and personality of the Steinway concert grand piano which he had hired from the SABC for the recording.

Sunday’s programme included favourites like Three Preludes, I Got Plenty O’Nuttin, Someone to Watch Over Me, and Summertime.  And I Got Rhythm. They certainly have!