Steve Kekana launches his new album at the SABC Record Library

Steve Kekana: Risen

Report by Jacqueline Wilson
Music Librarian


Renowned music legend, composer and artist Steve Kekana blessed the SABC Record Library with his presence at the launch of his 44th album called “Risen” on Friday 22 August.

Risen is a re-recording of some of his biggest hits. This album includes  memorable songs like “Slow Drive to Soweto”, “Sanibonani”, “The Bushman” and other songs that will put you in a dancing mode.

With the man of the moment speaking, the one thing taken from his speech is that he has always loved music and wants his music to be part of South Africa’s past, present and future. He loved being at the SABC Record Library and in his own words he said: “The Record Library is the epicentre of a music earthquake”.

Present at the launch were members from Next Music Record Company and the publishers who deal with the distribution and marketing of the album, as well as music compilers from different radio stations and other music guests from inside and outside the SABC.

The room was filled with warmth and so much laughter, and the Record Library is humbled to have had such an amazing person in their presence.

SABC Media Libraries' Instagram photos for World Day for Audiovisual Heritage 2013 #wdavh2013

The SABC Media Libraries share on Instagram some of the formats and play back equipment that are part of  the collections of the SABC Radio Archives.
The World Day for Audiovisual Heritage 2013 on 27 October inspired the most recent photographs on the photography social media sharing site.

The SABC Media Libraries account on Instagram can be found here: SABCMediaLib on Instagram, with more photos from the archives. It can be located under the hashtag #wdavh2013



Related posts:

- World Day for Audiovisual Heritage 2013 on 27 October #wdavh2013

- World Day for Audiovisual Heritage on 27 October 2012


Blog post by Karen du Toit, Afrikaans Archivist in the SABC Radio Archives.

Interview with a Record Librarian at the SABC Record Library: William Rapabi

William Rapabi
SABC Record Library

This is part of a series of blog posts to gain a better understanding of the SABC Record Library, as well as part of a series of blog posts about the SABC Media Libraries. It is a way of generating  a better understanding of what we do in the different sections that we belong to.
The interview this week is with William Rapabi, or Raps, the Record Librarian in charge of the check-out counter at the Record Library.

The SABC Record Library houses recorded music, previously unavailable, as well as all genres of recorded music, including Jazz, Gospel, Kwaito, Rap, Rave, Classical, World, Light, Mood, Sound Effects and others. The music is regularly accessed by staff and made available to internal clients.

Please tell us a little bit about yourself. (Where you grew up, where and what you studied and your work experience before you joined the SABC Record Library)

My name is William M. Rapabi, and I was born in Soweto (Molapo location) where I started primary schooling. In 1976 I went to Witsieshoek now called Qwaqwa to do high school studies. Having completed high school, I then attended college in Johannesburg doing a mixture of courses that included switchboard, office administration, typing …… aag I have forgotten the others, and please don’t ask me what the diploma was called. While still in college the SABC came looking for workers and I got my employment.

Please tell us about a normal day in your office. What music do you give priority to?

My job mainly entails signing in and out of music(CD’s) to compilers, dj’s, producers, to mention but a few doing different programmes on radio or television.  Naturally their choice of music would differ according to content required. Reminders are always send to users to check in what they loaned from the library because if after 6 weeks CD’s are still outstanding, deductions from their salaries is done to replace those CD’s.  The packing slips and audit trails are filed daily to keep record of what went out and came back.

Tell us more about your collection and the scope of material you need to preserve in the record library.

The collection and scope of material we have has already been elaborated on by Justice Muthakhi. I would specifically want to talk about the indigenous music that only the SABC has on transcriptions that really needs preserving. It is gold to this company.

Do you struggle with technical difficulties, and if so, what?

Talking about technical difficulties Here I don’t wish to do deductions on the same day that salaries are done because then I have time frames and unfortunately we both tap into main-frame and the system becomes very slow.

Tell us why you enjoy doing the work that you do.

Why I enjoy doing the work: I love working with music and enjoy listening to music. Whatever circumstances I’m in, music will always pull me through. Thank you.

Related posts:
Interview with a Record Librarian at the SABC Record Library
Interview with a Systems Administrator at the SABC Record Library

Questions and post by Karen du Toit, Afrikaans Archivist in the SABC Radio Archives.

Interview with a systems administrator in the SABC Record Library

Marinda Wolmarans
SABC Record Library

This is the second interview as part of a series of blog posts to gain a better understanding of the SABC Record Library, as well as part of a series of blog posts about the SABC Media Libraries. It is a way of generating a better understanding of what we do in the different sections that we belong to.

The interview is with Marinda Wolmarans, a Systems Administrator in the Record library. The SABC Record Library houses recorded music, previously unavailable, as well as all genres of recorded music, including Jazz, Gospel, Kwaito, Rap, Rave, Classical, World, Light, Mood, Sound Effects and others. The music is regularly accessed by staff and made available to internal clients of the SABC.

Please tell us a little bit about yourself. (Where you grew up, where and what you studied and your work experience before you joined the SABC Record Library)
I was born in JHB. I worked at Trust Bank now Absa and from there started at the SABC.

Please tell us about a normal day in your office.
When I arrive in the morning the first is checking e-mails and regularly during the day as well.  The Regions and JHB send performers and labels to be added on the system to be able to capture the information on the system.  Not one day is the same, some days problems that affects all the Regions will be send via e-mail or I’ll be contacted telephonically to rectify the mistakes made on the systems.  I check CD information and send the mistakes back to the regions and JHB personnel to rectify.  It takes a lot of time because you have to check who added the CD first, everything needs to be written down and checked thoroughly. People need to be focused when capturing of CDs are being done.

What does the future have in store for us digitally?
I can’t wait for the Digital System but I foresee we might have problems with the information on the CD’s and the actual songs on the disc. I hope that all the information that we currently have will be transferred without any major problems.

Tell us why you enjoy doing the work that you do.
Every day has a different challenge.

Related post:
Interview with a Record Librarian at the SABC record Library

Questions and post by Karen du Toit, Afrikaans Archivist in the SABC Radio Archives

Transcription Record by Jill Richards (Piano) and Diane Coutts/Marietjie Scoonraad (Piano)

Sabc Audio Restoration transcribed a Transcription Record by Jill Richards (Piano) and Diane Coutts/Marietjie Scoonraad (Piano), Including titles like Tonal Implications for Pianoforte and Prelude, Fugue and Postlude for Piano Duet Op. 17.


The recording was done in M1 Broadcast Centre, March 1986.

Jan de Jong handled the recording, and Daphne Kramers was the producer.

This recording was re-mastered on the 20th of April 2010.

Maryna Barnard, SABC Audio Restoration Section

How long do CD-Rs last?

The manufacturers claim 75 years (cyanine dye, used in "green" discs), 100 years (phthalocyanine dye, used in "gold" discs), or even 200 years ("advanced" phthalocyanine dye, used in "platinum" discs) once the disc has been written. The shelf life of an unrecorded disc has been estimated at between 5 and 10 years. There is no standard agreed-upon way to test discs for lifetime viability. Accelerated aging tests have been done, but they may not provide a meaningful analogue to real-world aging.

Exposing the disc to excessive heat, humidity, or to direct sunlight will greatly reduce the lifetime. In general, CD-Rs are far less tolerant of environmental conditions than pressed CDs, and should be treated with greater care. The easiest way to make a CD-R unusable is to scratch the top surface. Find a CD-R you don't want anymore, and try to scratch the top (label side) with your fingernail, a ballpoint pen, a paper clip, and anything else you have handy. The results may surprise you.

Keep them in a cool, dark, dry place, and they will probably live longer than you do (emphasis on "probably"). Some newsgroup reports have complained of discs becoming unreadable in as little as three years, but without knowing how the discs were handled and stored such anecdotes are useless. Try to keep a little perspective on the situation: a disc that degrades very little over 100 years is useless if it can't be read in your CD-ROM drive today.

By some estimates, pressed CD-ROMs may only last for 10 to 25 years, because the aluminium reflective layer starts to corrode after a while.

One user was told by Blaupunkt that CD-R discs shouldn't be left in car CD players, because if it gets too hot in the car the CD-R will emit a gas that can blind the laser optics. However, CD-Rs are constructed much the same way and with mostly the same materials as pressed CDs, and the temperatures required to cause such an emission from the materials that are exposed would melt much of the car's interior. The dye layer is sealed into the disc, and should not present any danger to drive optics even if overheated. Even so, leaving a CD-R in a hot car isn't good for for the disc, and will probably shorten its effective life.
Marius Oosthuizen (Sound Engineer, SABC Radio Archives)