Out with the old, in with the new

A new set of timpani for the SABC Music Library.

By Suzette Lombard,  Principal Music Librarian

The SABC Studio Orchestra with conductor Theo Wendt,
taken in the old SABC studios in Commissioner Street in 1952

Most classical music instruments are made to last, and some do last a lifetime. Many of the instruments in the Library were purchased in the 50’s, 60’s and 70’s of the previous century, when the SABC still had its own symphony orchestra.

Some instruments are still working hard, as a lot of regular library clients will be able to testify!

An old Ludwig timp which is being written off

A few of the older timpani or kettle drums have been repaired, overhauled and serviced countless times, but have now finally earned some rest. They will be replaced by a new set of Yamaha concert timpani bought recently.

A new Yamaha timp in its light-weight custom-made transport case

Related posts:

New Yamaha Grand Piano

Acquisition in the SABC Music Library - Paiste Crotales

New Yamaha grand piano

By Suzette Lombard
Principal Music Librarian

Unfortunately even well-made pianos don’t last forever, and in 2012 the SABC Music Library had to say goodbye to one of our collection of pianos, of which the frame had cracked. 

Fortunately we were able to acquire a brand new Yamaha C5 grand piano to replace it.

Yamaha is the world’s largest manufacturers of musical instruments, and has been making pianos since 1897. This piano is a great example of the dedication, vast knowledge, skill and hard work that go into making a modern day concert standard piano. Not only does it have to have a good sound and excellent mechanical action to please even the most demanding pianist, but it also has to look beautiful and be strong and rugged, in order to withstand the constant moving and handling.
A combination of traditional craftsmanship and advanced acoustical technology has made this possible. 

We are looking forward to this beauty’s first performance. 


Photos taken last week Wednesday at the arrival of the new piano.

The Music Librarian looking on

Suzette Lombard

(Photos by Karen du Toit)

Musings in the Music Library #6 - Cape Philharmonic Orchestra Library

The last in a series of vignettes which were sent by a fellow librarian, Daniel Neal from the Cape Philharmonic Orchestra Library in a mail to the SABC Music Library and the KwaZulu-Natal Philharmonic Orchestra Library.

"In the old days, orchestra libraries were there first and foremost to supply Their Orchestra with the materials required.  All other orchestras were viewed with deep suspicion and mistrust, and educational and amateur organizations with outright anathema.  

These deep feelings had practical roots beyond personal spites and jealousies: lost parts, horrible indelible markings and long term amnesia regarding return of material do not make life easy nor do they assist in looking after what is a very valuable investment.  

But times change, and the modern age in South Africa has now established a new attitude:  all these libraries were funded by public money and their collections should be open to all worthy users.  That has included the University orchestras and the few and valiant amateur orchestras, but the main benefactors from this Library have been the East Cape Phil in PE and the Free State Symphony in Bloemfontein,, occasional but professional institutions that don’t have libraries at all.  

The rental fee from this Library is unchanged from 20 years ago, and so the cost is within the budgets of our colleagues; without the Library’s assistance live orchestral performance would be even less frequent than it is."

Related posts:

Musings in the Music Library #5: Copyright 

Musings in the Music Library #4 - Cape Philharmonic Orchestra Library


Musings in the Music Library #3 - Cape Philharmonic Orchestra Library

Musings in the Music Library #2 - Cape Philharmonic Orchestra Library 

Musings in the Music Library #1

Concert - Charl du Plessis Trio with Musa Sakupwanya

Suzette Lombard, Music Librarian
SABC Music Library

With everything in life the novelty eventually wears off. If you attend concerts or shows regularly, you find yourself attending a lot of events that are good and even exceptional, but still leave you fairly cold. But once in a while you might be fortunate enough to hear something that blows you away.

A case in point is the concert I attended last Sunday at the Linder Auditorium. The Johannesburg Musical Society presented a concert featuring the Charl du Plessis Trio with the vocalist Musa Sakupwanya. The all-Gershwin programme was beautifully planned and executed by four extremely talented and accomplished musicians.

To say that I loved it is an understatement. The trio played brilliantly, a wonderful blend of classically-trained polish and honest foot-stompin’ jazz. Charl with inimitable style performed a fiendish arrangement of Rhapsody in Blue in which he was the conductor, pianist and orchestra all rolled into one. Most numbers started with the piano, and with the bass and percussion joining in, one felt surrounded by a warm, luxurious blanket of pure sound. A sense of well-being and absolute enjoyment prevailed throughout.

Some gooseflesh-moments were had when Musa sang songs like S’Wonderful. Musa has the perfect jazz voice, all velvety smooth. But he also has the sense of timing and execution that a true artist needs to keep the audience spellbound, as he proved with Let’s Call the Whole Thing Off. Werner Spies on double bass and Hugo Radyn on drums were by no means left out of the limelight, their accompaniment and improvisations equally impressive.

The trio’s latest CD Shanghai Brunch has won a Ghoema Award and is nominated for a SAMA. When mentioning the CD, Charl spoke about the warmth and personality of the Steinway concert grand piano which he had hired from the SABC for the recording.

Sunday’s programme included favourites like Three Preludes, I Got Plenty O’Nuttin, Someone to Watch Over Me, and Summertime.  And I Got Rhythm. They certainly have!

Acquisition in the SABC Music Library - Paiste crotales

The SABC Music Librarian, Suzette Lombard, of the SABC Music Library, wrote this short piece on the acquisition of Paiste Crotales in the music library:

The Music Library recently acquired a new set of 30 Paiste crotales, ranging from C6 (8va above middle C) to F8. These swiss-made music instruments are small, chromatically-tuned brass disks which have a clear and sustained, bell-like sound.

Crotales are also known as antique cymbals, as they have been used in some form or other since ancient times, often as smaller finger cymbals struck together by dancers. At present they are usually struck with hard mallets, or played with a bow, which produces an eerie sound similar to a glass-harmonica.


Composers such as Claude Debussy, Joseph Schwantner and Igor Stravinsky have used it to great effect in their compositions. In 1970, Karlheinz Stockhausen used it extensively in his composition Mantra, written for two ring-modulated pianos, wood blocks and two sets of specific crotales. In popular music, Mike Oldfield also uses crotales in Clear Light on his album Tubular Bells ll.

Wordless Wednesday in the SABC Music Library

SABC Music Library

The SABC Music Library – interview with the intern

This is the first post of a series of posts of interviews with personnel in the SABC Media Libraries. I will be posing the same six questions to all of us.

We have five departments which fall under the SABC Media Libraries here at the South African Broadcasting Corporation. It is the SABC Music Library, the SABC Record Library, the SABC Information Library, the SABC Radio Archives and SABC Audio Restoration.

We work with different types of collections and different formats, and we are not always aware of what our colleagues are doing on a daily basis. This is a way of getting to know each other a little bit better with regards the work we do, and the importance of our collections in the broadcasting sector.

My first interview is with our intern that we have at the Music Library. Ignatia Madalane started to work with us just short of a year ago. She is unfortunately leaving us at the end of the month.
The SABC Music Library has musical instruments of the highest quality, as well as printed music scores which they rent out to professional orchestras or music organisations on a daily basis.

Iggy Madalane:

1. Please tell us a little bit about yourself. (Where you grew up, where and what you studied and your work experience before you joined the SABC Music Library)

Hi, I, Iggy, grew up in Witbank, now called Emalahleni (Place of Coal). I studied Business Practice at TUT for a year, then did Cost and Management Accounting, which I never finished because it was choking me. So I went to Wits where I studied music, majoring in classical voice.
Before coming to the SABC, I worked as a tutor at Wits. I also did some office admin work occasionally for the Music department. For the 4 years of my undergraduate studies at Wits, I worked in the SRC office as an office admin assistant. I have done a lot of performing, also as a solo artist. I joined a marimba band in 2005 and with this band we did a lot of performances, such as concerts, theatre productions, workshops, etc. We’ve just returned from Mexico, from participating in the international Marimba Festival which took place in Chiapas in November, 2010. I also had the privilege of working with some of South African’s most revered artists such as Professor Jeanne Zaidel-Rudolph, with composer, story-teller, ethnomusicologist, Pedro Espi-Sancis, as well as Jeff Maluleke and world renowned and award winning percussionist and composer Lukas Ligeti. 

2. Please tell us about a normal day in your office.

Providing our clients with the best service are our main priority, therefore we do our best to ensure that we provide them with their requests as effectively and efficiently and as promptly as possible.

3. Tell us more about your collection and the scope of material you need to preserve.

I think I can safely say that we need to preserve everything we have, and we need more material. One of these days, I am hoping that we will be able to digitize out collection seeing that everything and everyone is going digital. Companies like Apple and Blackberry are inventing digital music stands, which means that musicians will be moving away from the conventional way of reading music from a piece of paper, to downloading the music directly to their music stands. It’s only a matter of time before the frenzy hits South Africa and I am afraid if we do not get on with the programme we might be left with no business to run.

4. Do you struggle with technical difficulties, and if so, what?

Struggle? Are you kidding? I can go to campus square, buy groceries, come back and bake a cake while the computer is trying to log on.
Secondly, since our catalogue is not digitized, we always find ourselves having to either keep our clients waiting on the phone, or call them back (an expense which can be avoided), because we need to put the phone down and go search the carded catalogue to see if we have the music they require. 

5. If you have an anecdote about a specific piece of interesting music or musical instrument, please share it with us.

Did you know that The Ride of the Valkyries, which is a music except from Richard Wagner’s opera Die Walkure was apparently used by some German soldiers during World War II. They played it just before they attacked in the Battle of Memel. This story was incorporated into the 1979 film Apocalypse Now where the music accompanies the ride of the helicopters while they attack a Vietnamese village. Therefore you might want to think twice before playing Wagner when having your Jewish friends over for dinner. 

6. Tell us why you enjoy doing the work that you do.

It is only in this field where you can learn something new every single day.

Questions and intro by Karen du Toit (SABC Radio Archivist)